Photoshop of horrors

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In recent years, a number of fine arts photographers have begun to work more in front of a computer than behind a lens. Unfortunately, the vast majority of their creations are unexceptional pieces that are scarcely more impressive than what you can find at Photoshopping contest websites, except that, perhaps in attempt to distinguish their serious art from the dabbling hordes, their images tend to be utterly lacking in humor or nuance. Dominic Rouse’s black-and-white photo collages, often depicting ancient beauty in decay along with a cluttered assortment of generic symbols, are no exceptions.

Whole lotta somethin’ comin’ after me


As regular readers of this blog may have noticed, I’m a sucker for art which looks like a twisted version of something Dr. Seuss might cook up. The best of these works tread the line between extreme but not so far out that you couldn’t imagine Theodor himself inking it after accidentally ingesting a couple hits of acid and wandering down the dark, underexplored back alleys of his mind, those he can never visit sober because they aren’t fully appropriate for little kids. Not way out beyond the pale, but just a couple steps over the line. Shown above is “Outlandish” by Dave Burke.

Unlike the Ryden I wrote about, this one didn’t slip away, and is hanging on my walls right now.

Filling Ingot Molds

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The late Boris Artybasheff created a series of illustrations called Machinalia for his book “As I See” in which heavy industrial equipment came to life. The resulting series is a set of wonderfully detailed, high-contrast black-and-white anthropomorphisms.