
Shown above is a panel from “La Bête À Cinq Doigts” (The Beast with Five fingers) by Swiss illustrator and comic book artist Thomas Ott. Click on the link below to view the full sequence.
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Author: Mattasher
Fear
I fake it so real, I am beyond fake

Siberian artist Marina Bychkova takes the inherent creepiness of realistic dolls to a whole new level with her tiny porcelain creations. Her “Enchanted Dolls” feature ball-joints and tattoos and anatomically correct private parts.
Origin

by Jason Limon.
When I get older, I will be stronger

The impeccably rendered ball-point pen illustrations of Shohei Otomo, aka Hakuchi, play with themes of Japanese history, stereotypes, and nationalism. The way he contrasts large dark and white shapes with fine detail reminds me of highly talented, yet largely forgotten illustrator Vint Lawrence. Shown above: “SUSHI”.
I love you inside Ed

Valerio Carrubba slices open faces and bodies to reveal hyper-realistically depicted innards. Anatomically correct or not, the results are certainly attention grabbing. The details, including lushly rendered backgrounds, are masterfully drawn. No doubt there is some point behind these paintings, waiting to be revealed like the guts of Carrubba’s subjects, but I’m willing to let this be another unsolved mystery. Though far more talented, I’m even tempted to view Valerio as one the many artists who are recognized simply because their style is so clearly recognizable. Instead I’ll reserve judgment here use the phrase I keep hearing everywhere I go, the deeply meaningless mantra of our time: “It is what it is.”
Dark Strings

by Damon Soule.
Monkey Love Song

by Amy Crehore.
And he rambled til them butchers cut him down

Kazuki Takamatsu takes Kara Walker to a whole new level with amazingly suggestive white-on-black figures. Shown above: “Mealtime”.
The red, and orange and the sounds all around her

Hi, I’m a colorholic. Show me the right paintings and my jaw goes slack and my mind zones out like a druggie rediscovering the pleasures of smack after 10 years of abstinence. OK, maybe that’s a bit of an overstatement. But there must be something about the experience of viewing an exquisitely colored work of art that allows it to cross my blood brain barrier before I’m able to intellectualize it.
Shown above is “Born” by Colin Johnson.
